https://julialecorre.cargo.site Julia Le Corre Thu, 12 Nov 2020 14:27:00 +0000 https://julialecorre.cargo.site en https://julialecorre.cargo.site/ateliers-ouverts Thu, 12 Nov 2020 14:27:00 +0000 Julia Le Corre https://julialecorre.cargo.site/ateliers-ouverts at https://julialecorre.cargo.site/03 Wed, 11 Nov 2020 10:16:38 +0000 Julia Le Corre https://julialecorre.cargo.site/03 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/35da41336349146a1e04b53d88d84a8a83a49960b540a3b975616e264c3ebbf2/c3.jpg" data-mid="88411081" border="0" src="https://freight.cargo.site/w/1000/i/35da41336349146a1e04b53d88d84a8a83a49960b540a3b975616e264c3ebbf2/c3.jpg" /> J. G. Ballard, High-Rise, 1975 With its forty floors and thousand apartments, its supermarket and swimming-pools, bank and junior school — all in effect abandoned in the sky — the high-rise offered more than enough opportunities for violence and confrontation. https://julialecorre.cargo.site/08 Wed, 11 Nov 2020 10:16:39 +0000 Julia Le Corre https://julialecorre.cargo.site/08 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/070bdb47e20c3a738cae96997d0716e09c98f00ca823822fbfd3076f4ddecba6/cc4.jpg" data-mid="88411084" border="0" src="https://freight.cargo.site/w/1000/i/070bdb47e20c3a738cae96997d0716e09c98f00ca823822fbfd3076f4ddecba6/cc4.jpg" /> Rem Koolhaas, Delirious New York, 1978 Therefore, the performance can never end or even progress in the conventional sense of dramatic plotting; it can only be the cyclic restatement of a single theme: creation and destruction irrevocably interlocked, endlessly reenacted. The only suspense in the spectacle comes from the constantly escalating intensity of the performance. https://julialecorre.cargo.site/06 Wed, 11 Nov 2020 10:16:39 +0000 Julia Le Corre https://julialecorre.cargo.site/06 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/19708dc8b2405e815b5a2b4d7a52d0b4945563e867aca897c4db96c9cca005a7/cc2.jpg" data-mid="88411087" border="0" src="https://freight.cargo.site/w/1000/i/19708dc8b2405e815b5a2b4d7a52d0b4945563e867aca897c4db96c9cca005a7/cc2.jpg" /> Edward Soja, Postmetropolis, 2000 Interwoven with the jumbled spatiality of the globalized postfordist exopolis is a recomposed sociality that has become similarly fluid, fragmented, decentered, and rearranged in complex patterns that are only beginning to be recognized, understood, and effectively studied. https://julialecorre.cargo.site/05 Wed, 11 Nov 2020 10:16:39 +0000 Julia Le Corre https://julialecorre.cargo.site/05 <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/32b27d89cf1ac1da2da9dfc95d92f6e77e1f7c14c6f097a94cb6aef55865e87d/c99.jpg" data-mid="88411089" border="0" src="https://freight.cargo.site/w/1000/i/32b27d89cf1ac1da2da9dfc95d92f6e77e1f7c14c6f097a94cb6aef55865e87d/c99.jpg" />J. G. Ballard, Date/Origin Unknown I consider the city to be an outdated structure, incapable of expressing the deep dreams of our time. Cities seem very old-fashioned to me… Now, we communicate by electronic means. The Internet is, above all, the dream of suburbia. I see the future as a kind of planetary suburbia, an infinity of boredom interrupted by unpredictable acts of violence. https://julialecorre.cargo.site/page-accueil Tue, 10 Nov 2020 08:58:39 +0000 Julia Le Corre https://julialecorre.cargo.site/page-accueil <img width="1994" height="1994" width_o="1994" height_o="1994" data-src="https://freight.cargo.site/t/original/i/5a28a777ac177f811a2d42952b63dfd761dcabe5bfd74fde095e28fdeed08f31/1000026993.jpg" data-mid="253233211" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/5a28a777ac177f811a2d42952b63dfd761dcabe5bfd74fde095e28fdeed08f31/1000026993.jpg" />